Posted in Dirty Linen, Festivals/Tours/Events, tagged Le Vent du Nord, Steve Earle, The Lee Boys, Donna the Buffalo, Pete Seeger, Buckwheat Zydeco, Shawn Colvin, David Amram, Slavic Soul Party!, David Bromberg, Railroad Earth, Keller Williams, Toshi Reagon, the Felice Brothers, Joan Osborne, Eileen Ivers, Jonatha Brooke, Dan Bern, Great Hudson River Revival, Pete Seeger & the Power of Song, Hazmat Modine, Steve Forbert, Rhett Miller, Mike Doughty, Lucy Kaplansky, Dala, Milton, Sara Watkins, Sarah Lee Guthrie & Johnny Irion, Tao Seeger Band, C.J. Chenier & the Red Hot Louisiana Band, Nightingale, Jay, Molly & Peter, Bonga & The Vodou Drums of Haiti, Folklore Urbano, Kakande, The Subdudes, Brother Joscephus & the Love Revival Revolution Orchestra, The Storycrafters, Dave Conover, Robert DeMayo, Bob Reiser, Nancy Marie Payne, Anne Shapiro & Tom Callinan, Bobaloo Basey, Marva P. Clarke, Kim Harrisleading, Dirty Stay Out Skifflers, Edukated Fleas, Hope Machine, Captain Killian & Crew, Mel & Vinnie, Eric Russell, Evy Mayer, Steve Stanne, Stout and Matt Turk on May 6, 2010 |
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Inspired by Pete Seeger’s desire to clean up the river over forty years ago, the Great Hudson River Revival initially helped raise the funds to build the sloop Clearwater, which has since become a world-renowned floating classroom and a symbol of effective grassroots action. Today, Hudson River Sloop Clearwater is a non-profit organization that sails at the forefront of the nation’s environmental challenges. The revenue raised by the Revival goes to support Clearwater’s numerous educational programs and its work toward environmental and social justice—as well as keeping the sloop Clearwater afloat.
Pete Seeger & the Power of Song gets us underway on Saturday, June 19 on the Rainbow Stage. Also featured on this stage throughout the weekend are famed singer-songwriters Steve Earle and Shawn Colvin, contemporary music star Joan Osborne; Westchester County native David Bromberg and his quartet, Keller Williams, “newgrass” sensation Railroad Earth, Donna the Buffalo, Toshi Reagon, The Felice Brothers, sacred steel guitar family band The Lee Boys, and Hazmat Modine, a global blues band based in NYC. (more…)
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Posted in Festivals/Tours/Events, tagged Andy Statman Trio, Brass Menažri, Daniel Kahn and The Painted Bird, Di Goldene Pave, Flory Jagoda, Gaucho, Jewish Music Festival, Joshua Nelson and Oakland Interfaith Gospel Choir, Lenka Lichtenberg, Mark Rubin, Shir Hashirim, Slavic Soul Party!, The Bridge Players, The Sisters of Sheynville, Third World Love, Young People's Symphony Orchestra, Yuri Lane on February 12, 2009 |
Kosher Gospel and Yiddish Punk: The 24th Annual Jewish Music Festival’s American Ingenuity…
March 21-April 2, San Francisco Bay Area
An African-American Newark native’s soaring gospel is grounded by the good-old-boy bass of a native Texan. A young Detroit songwriter returns to Yiddish in his adopted home of Berlin. Bluegrass and Bosnian. Classical piano and swinging vocal harmonies.
This is American Jewish music, the driving force behind this year’s 24th Annual Jewish Music Festival, celebrating more than two decades of broad-minded programming on March 21-April 2, 2009 at venues around the Bay Area.
“As we imagined this year’s festival, we specifically thought about an American orientation, to celebrate a new era in the country,” festival director Eleanor Shapiro explains. “That’s why we chose Joshua Nelson as one of our opening night artists, because his kosher gospel represents a new orientation towards being in the world that’s not based on your past or what you were born into, but what you are becoming and what you can become in this country.”
And American Jewish art is becoming increasingly aware of its plethora of global roots. “There are a lot of diverse Jewish cultures,” notes Nelson, who grew up attending Newark ‘s Sephardic congregations. “Most people think of European Jewish, but there are all types of Jewish cultures and customs, and they all have soul, much like Black culture. Both Black and Jewish people have been through hell. Soul comes out of having a bad experience and being able to sing about it. It’s in cantorial chanting you hear in a synagogue.”
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